Reflections, Vesturhorn EveningArchival pigment print on wove paper, mounted on archival mat board. Printed and matted by the artist. This one print #4. Signed in pencil on the mount. Southeast Iceland.

chances are

By allowing some transparency in the inks

L'Umido del Legno che Marcisce al Sole (original Italian title)

Jukka Vänttinen likes to use contrast

chine-collé

Etching and drypoint printed on laid paper

have been softened with a touch of pinkish beige

Deux Coquelicots (original French title)

This is one of the first prints by the artist we were ever able to acquire

While the strong red and slate-blue shapes can be seen from a distance in Monotype 46

why don’t you look at the sky

and dated "19" in pencil