TracesThrough subjects as diverse as old apartment blocks, human scars, kimono fabrics, personal belongings of the deceased, and even her own water damaged prints, Ishiuchi Miyako manifests the invisible, capturing time, atmosphere, and memory in photographic form. Her work is at once deeply personal and evocative of the wider world hinted at by the traces recorded within the frame. Since beginning her career in the 1970s, Ishiuchi has become one of Japans

Apiary is a shadow space

This book is just such a revelation

“I think that part of what these beach pictures are about is the difference between our preconceptions of a place and what

Family Matters zeroes in on the artist’s family as an example of the way Donald Trump’s knack for sowing discord and division has impacted communities

beginning and end

conjured up by the desire to find some lost incarnation of what was once familiar – a desire that will never

He understands the gift of their materiality and he has invested heavily in how his books look and in how they are made

they reflect with Sanguinetti on the work’s making and their changing relationship to it over time in an extended conversation illustrated with previously unseen images from across the years

The photograph as a portal from one perception of reality to another

It begins with a photograph of the family studio and the following 31 images are family portraits made in the studio in chronological order

Louis Carlos Bernal made photographs in the late 1970s and 1980s that draw upon the resonance of Catholicism

It showcases the depth and range of his work while exploring his life story