Untitled1992 Soapstone, plaster One of my first larger scale stone sculptures, this piece was an excercise in continuity of form. My first sculpture teacher in college wanted the class to understand how to continue a design not only around an object, but also through different media. The grooves and ridges carved in the black soapstone connect around the entire piece, as well as continuing into the plaster base.

but hugs it closely enough not to get in your way

It comes from a set of cuff links passed on to me by my zayde

By their union

my customer's beloved is his princess

ki hinei has'tav avar)

and may some of that shine on them from this ner tamid

I particularly enjoy how the bold the negative spaces of the letters hold the larger metal sections together by delicate strands of silver

The cut-out crescent at the bottom allows the pearls to nest into them so that when viewed straight on

but is removed from them by distance and stature

Every year

but may fit your finger differently due to the shape

she replied that this was easy and immediately matched and ordered the marriage of thousands of her slaves together