WatchingFrom the Artist My work is always in a constant state of evolution. A print project will always allow for my individual aesthetic expression along with the potential of a mass media communicational force. The birds in my work are a vision from my dream world which I consciously decided to represent the conflict in our environment between nature and man's tools of destruction. From Brandywine Workshop and Archives records Billowing smokestacks,

through documentation

—Excerpted from Gary Hack

These are images of extreme situations: nature in a violent and destructive manifestation and a city

In the first

as architects sometimes create problems or challenges intentionally as part of the design process

a sculpture that dealt with her memories of coming to the United States from Japan in 1954

and keeping their idea alive in another time and space

has been a lifelong process

giving the figures an organic

contrast with where he lives now

Flat surfaces which are interrupted by a central opening

which serves as windows through which the viewer is invited to reinvestigate the resonant beauty of nature